Saturday, March 6, 2010

Communication Arts: Fresh section of March/April

I'm so excited to be included in this month's issue of Communication Arts Fresh section!


Here's a bit about what they have to say about me:
"History, nature and fantasy coexist in the work of this Brooklyn illustrator."

(Click to enlarge and read my profile)
Buy your copy now!


Monday, March 1, 2010

Top 10 Websites For Designers (March 2010)

What a nice surprise! Today I was included in HOW Magazine blog's top 10 websites for the month of March. Here's what they have to say: Lisel Ashlock paints haunting illustrations of both man and beast. Thanks HOW!

The Pregnant Widow (The Dawn of Sexual Intercourse) for Playboy Magazine

This piece is in the March issue of Playboy Magazine.

It's based on an excerpt from The Pregnant Widow by Martin Amis. It's about an well off group of college students in 1970 (one guy, two girls) who spend a sexual tension-filled summer in a castle. Uh, fun!




 

GQ UK: Film Review Section for The Road



This was a great assignment for GQ UK, for their profile and review of the movie based on Cormac McCarthy’s The Road, with the movie starring Viggo Mortensen.

Though the focus was on the movie and it’s two main characters, they also wanted to address the history of the actual road where they filmed the movie, in conjunction with the book/film by showing various scenes/people through on the ages on the SAME road - almost like a visual time-line. How it started off as an Indian trail, then a route for George Washington who was aiding the British troops, then wagons, etc. Basically it is to show the history of this stretch of road that culminated in this film being made there.

I decided to do the secondary elements separate, so that I could have more control over the composition. As a result, I did a painting of a broken down pickup! Fun!

Chicago Magazine: The Deadly Encounter of Fort Dearborn

I did this project last month for Kim Thornton at Chicago Magazine titled ‘The Massacre at Fort Dearborn’. The assignment asked for two illustrations. The first, an expansive double-page landscape of Fort Dearborn, and the other, a portrait of William Wells, a captian in the U.S. Military.



The massacre was between the Native Americans, and the American Army (go figure) and was particularly brutal. The story of goes that Wells was abducted (or saved?) as a child by Native American Indians and raised by them. He acted as a translator and liaison between the native tribes and the US government. As an adult he joined with his real brother in the US military, became a captain, and warned the US govt that the British were negotiating with the Indians against them.


He is considered by the Americans as a hero of the Fort Dearborn Massacre; Native Americans consider him a traitor. When the Native Americans found out what he had done, he dressed himself in Indian fashion, and painted his face black in anticipation of death. His opponents, although considering him a traitor to their cause, nonetheless reportedly ate his heart to gain some of his courage. WOW!

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